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On the theoretical plane, the critical approach denoted as affective fallacy was fundamentally unsound because it denied the iconicity of the literary text. In this light, the affective fallacy ran afoul of the New Critics' desire to place literary criticism on a more objective and principled basis. In practical terms, it makes reliable comparisons of different critics difficult, if not irrelevant. A view of literature based on its putative emotional effects will always be vulnerable to mystification and subjectivity Wimsatt singles out the belletristic tradition exemplified by critics such as and as an instance of a type of criticism that relies on subjective impressions and is thus unrepeatable and unreliable.įor Wimsatt, as for all the New Critics, such impressionistic approaches pose both practical and theoretical problems. For Wimsatt, the fallacy led to a number of potential errors, most of them related to emotional relativism. This definition of the fallacy, if strictly followed, touches on or wholly includes nearly all of the major modes of literary criticism, from 's docere delictendo (to teach by delighting), 's, and 's concept of 'transport' to late-nineteenth century and the contemporary. Wimsatt used the term to refer to all forms of criticism that understood a text's effect upon the reader to be the primary route to analyzing the importance and success of that text.
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First defined in an article published in The Sewanee Review in 1949, the concept of an affective fallacy was most clearly articulated in The Verbal Icon, Wimsatt's collection of essays published in 1954. The concept was presented after the authors had presented their paper on The Intentionalist Fallacy. It is the antithesis of affective criticism, which is the practice of evaluating the effect that a literary work has on its reader or audience. Concept The concept of affective fallacy is an answer to the idea of impressionistic criticism, which argues that the reader's response to a poem is the ultimate indication of its value.HFS clients enjoy state-of-the-art warehousing, real-time access to critical business data, accounts receivable management and collection, and unparalleled customer service. HFS provides print and digital distribution for a distinguished list of university presses and nonprofit institutions. MUSE delivers outstanding results to the scholarly community by maximizing revenues for publishers, providing value to libraries, and enabling access for scholars worldwide.
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